Festival Review: Sziget, Budapest
I was excited to return to Óbuda Island in Budapest for the third year running to attend the Sziget (9-16 August 2017) for seven days of sunshine and spectacle.
As well as more than 10 music stages, Sziget promised a varied programme including theatre, dance, traditional Hungarian craft workshops and even an interactive games area focusing on helping people with disabilities.
Who goes to Sziget Festival?
Diversity is the heart and soul of Sziget Festival, with over 100 countries represented on the island. As well as Hungarians, who tend to purchase day tickets, the festival attracts hoards of ‘Szitizens’ from the Netherlands, France, Italy, Germany, the UK, and beyond. There were more than 1,000 Australians at Sziget this year: quite a journey to make for a festival!
I opted to avoid camping at the festival and instead rented an apartment with a group of friends. This allowed me the opportunity to return home each night for a shower and a decent night’s sleep, and also meant I could catch the Sziget boat to the island each morning: a truly lovely way to start the festival each day.
The simplest way to rent an apartment in Budapest is through Airbnb, and if you book enough in advance you should be able to rent a lovely, air-conditioned apartment for peanuts. Our base was only a 10-minute walk from Sziget boat and housed 14 people, at the cost of £15 a night – bargain!
You can also book an inexpensive hostel in the ‘Pest’ side of the city. If you go down this route, make sure you check there is air conditioning in the bedrooms.
You can, of course, camp at the festival and there are plenty of shady spots to pitch your tent. There is also a VIP camping option, but if you’re willing to spend the extra cash I recommend you book an apartment or hostel in the city instead.
Food and Drink
During my previous trips to Sziget, the food was disappointing. There wasn’t that much variety and what was there was greasy and salty. This year there was a definite improvement, especially in the area near to the Hungarikum Village. I sampled some delicious Goulash Soup as well as a Russian dish called pelmeni: mixed pasta stuffed with beef and pork with sour cream and vinegar. The food options around the main stage were fairly uninspiring so I recommend branching out from the centre of the festival when you get peckish.
You can’t take in your own alcohol to Sziget. A beer or plastic cup of wine costs less than £3 while one of the festival’s signature cocktails is around £5.50. As with previous years, Sziget’s alcohol policy allows for a very jolly atmosphere without creating too many alcohol-related casualties.
At Sziget you don’t use cash to buy food and drink. Instead, you pre-load money onto a Festipay card and this can be used to pay for everything at the festival. There are several booths dotted around Sziget where you can top-up, and you can protect your money by downloading the Sziget App and registering your card. If you lose it, you can cancel the card and reimburse the money on a new card. Very nifty.
What’s the music like at the Sziget Festival?
We arrived at the main stage on the first day mid-way through a fun and energetic performance by Bosnian group, Dubioza Kolektiv. Taking inspiration from reggae, ska, alternative rock and Bosnian folklore, the band whipped the crowd into a joyful frenzy. This is what makes Sziget so special: the opportunity to discover bands from across the globe who would otherwise never enter one’s consciousness.
The music line-up was, admittedly, a mixed bag. The seven headliners absorbed over half of the festival’s €20m budget, yet they weren’t the big hitters of rock and pop that I’d become accustomed to.
I really enjoyed P!nk’s fun and fiery performance on the first night, but confess I was less thrilled by the prospect of Kasabian, Macklemore & Ryan Lewis and Major Lazer. Tamás Kádár, CEO of Sziget Cultural Management, admitted to us that the line-up was weaker than usual, in part because some of the acts are asking for 50-60 per cent more money than the previous year.
This has become a serious issue for festival organisers around the globe. Fortunately there were some excellent performances by lesser known artists on the main stage including a feisty set by The Kills and a beautifully sweet performance by English rose, Birdy. The closing act on the main stage, Dimitri Vegas and Like Mike, was also a surprising sensation.
There was also plenty to see away from the main stage. My personal highlights included DJ Shadow and Crystal Fighters at the indoor OTP Bank Stage by A38. USA born DJ Shadow put on an exceptional show with the best backing video I have ever seen. Striking images of wildlife, landscapes and abstract shapes burst on the screen in perfect timing to the music. The bass was so intense it made my shoes vibrate and my nose tingle. Crystal Fighters put on a jubilant performance inspired by the Basque heritage of one of its members, Laura Stockley. This band really should have had a prime spot on the main stage and I think Sziget missed a trick here.
The World Music Stage hosted a brilliant set by Orkestra Mendoza, who made it totally impossible not to get up and dance. This performance was particularly memorable as the final song coincided with Sziget’s 25th birthday party. Sziget staff members ran around the festival presenting a random selection of Szitizens with birthday cakes and party hats. My friend, Hannah, was one of the lucky recipients and her pure joy at being presented with a cake was one of my happiest memories of the festival.
What else is going on?
My advice for Sziget is to make sure you don’t just stick to the main stage and really make time to explore every area of the festival. There is much to discover, from Sziget beach to the Luminarium: an 800m2 inflatable sculpture with a labyrinth of rooms to explore. There is also the travelling funfair, cardboardia tent, Sziget comedy tent and Magic Mirror which hosts a colourful array of cabaret, drag shows and talks by the LGBT community.
One of the most widely talked-about acts this year was Anima Ardens by Belgium Compagnie Thor, which features 11 male dancers who are totally in the nude. I joined the huge queue outside the Fidelio Theatre and Dance Tent and managed to get a seat at the back. While I applaud their grace and boldness, I am afraid this performance was too arty for me. The interpretive dance aspects went completely over my head!
There were some stellar circus performances this year at Cirque du Sziget. The organisers doubled the capacity of the indoor tent this year, which was a savvy move. The outstanding performance for me was Machine de Cirque, where five Canadian blokes performed a mix of comedic sketches and extraordinary feats of acrobatics using a large, wooden seesaw.
Another highlight of the festival was the colour party, where festivalgoers throw bags of multi-coloured paint at each other. This year, it was postponed to the final day due to high winds on Saturday. My friends and I made our way into the centre of the action and managed to get hold of few bags of bright pink powder. Then followed an explosion of luminescent dust and we all threw our arms up in pure joy and asphyxiation (thanks to the clouds of powder).
Sziget 2017 was for the most part, pretty fantastic. The festival had a carefree and jovial atmosphere and I was in an almost permanent state of euphoria. Yes, the main stage line-up was a little disappointing, but this didn’t really matter when there were so many other things to see and do.